By Samantha Holland
Think a global the place oppressive, over-feminized media pictures of ladies have re-armed themselves with military boots, physique adjustments, and flamboyant hair. is that this simply one other fairy story, and if that is so, why can't or not it's a fact? Holland unpacks the parable of version womanhood and considers how a bunch of actual girls outline and perform "femininity." How does getting older have an effect on notions of femininity? What do girls take into consideration model, gender, and visual appeal as they get older and not more seen in our media ruled society? Do they decide to tone down or remain "out there," and what motivates their selection? substitute Femininities provides voice to a formerly silent workforce of ladies who fight to withstand sexist gender stereotypes, but age with variety, individuality and creativity. via taking a look at how genuine ladies negotiate self-perception in an more and more image-conscious society, Holland offers a corrective to different bills of gender and femininity missing in genuine data.
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Extra resources for Alternative Femininities: Body, Age and Identity (Dress, Body, Culture)
I Am Not a Bit Fluffy’ There were a variety of terms used by participants to describe themselves; for example, the terms ‘townie’ and ‘freak’ are discussed in Chapter 2. Three more terms were used consistently by most of the participants when referring to traditional femininities. These were ‘fluffy’, ‘girly’ and ‘frothy’, used to denote a particular type of femininity to which participants placed themselves in opposition. For example: [I am] just not fluffy rather than not traditionally feminine.
A woman’s body, then, can be seen to be ‘a built, that is socially and discursively constructed, body’ (Mansfield and McGinn, 1993: 50), and resists the embodiment of essentialist definitions of what a woman is and should aspire to be. Women’s sexuality has also been a key area for feminist studies of the body, from sexual desire to the restrictions of heterosexuality being seen as the ‘norm’ (Richardson, 1996, 2000) to highlighting how the body has been key in constructing ‘race’ and ethnicity (Davis, 1988; Hill Collins, 1990; hooks, 1990).
Flashing’ femininity can be adapted to this study since the participants consistently alluded to how feminine they were ‘despite’ their appearance. In addition, they more explicitly gave examples of how ‘authentic’ their femininity was. Until relatively recently, middle-class women were the last bastions of a rigid attention to fashion detail and dedication – gloves, matching shoes and handbag, hats, different outfits considered appropriate for day or evening wear (Thesander, 1997) – and did not need to ‘flash’ their femininity since their attire announced it for them.